Sonnets (Version for Viola & Piano): III. my tongue-tied muse

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The Joy of Classical Music

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Sabina (Version for Solo Viola)

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Sola: Prologue - I. —

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ko'u inoa

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Entangled on a Rotating Planet

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for Toshiko: IV. to you —

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for Toshiko: II. to touch —

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for Toshiko: I. to see —

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Sola: II. —

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ko'u inoa

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Sonnets (Version for Viola & Piano): I. with shifting change

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Convection Loops

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Sola: III. — - Epilogue

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Waterworks

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in manus tuas (Version for Solo Viola)

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Ripple the Sky

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sending messages: I. Alchemy Gold

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With Eyes the Color of Time: VIII. Enfolding

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on stochastic wave behavior: i: ō

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for Toshiko: III. to sound —

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Persist

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Sonnets (Version for Viola & Piano): III. my tongue-tied muse

Classical

With Eyes the Color of Time: I. The Bronze Doors

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ko’u inoa

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Anna Thorvaldsdottir in Conversation with Anne Leilehua Lanzilotti: Introduction & Electronics

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Sonnets (Version for Viola & Piano): II. to be so tickled

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Three Suns

Classical

sending messages: II. the lehua groves

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Sonnets (Version for Viola & Piano): V. confounded to decay

Classical

Broken Unison: I. —

Classical

Sonnets (Version for Viola & Piano): IV. so far from variation

Classical

the sky in our hands, our hands in the sky

Classical

With Eyes the Color of Time: II. Open Triangles

Classical

Violin Sonata: II. Still and Spacious, but Always Moving Forward

Classical

Violin Sonata: I. Fast and Focused, with Gradually Increasing Intensity

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Note to Self: I. Much More

Classical

Four + Nine

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Broken Unison: II. — - III. —

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on stochastic wave behavior: iii. nā 'ū

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on stochastic wave behavior: ii. nāueue

Classical

With Eyes the Color of Time: III. Nahele (The Bronze Horse - The Forest)

Classical

Wind_down_2

Ambient

Gray (Version for Viola & Percussion)

Classical

to speak in a forgotten language: I. —

Classical

Violin Sonata: III. Dramatic, Violent, Rhythmic, Very Precise

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With Eyes the Color of Time: IV. Les sortilèges (The Wound - The Torn Page)

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Y (feat. Connie Li)

Ambient

Lavender Tooth

Classical

Transitions (Version for Solo Viola)

Classical

to speak in a forgotten language: II. —

Classical

FARAHMS (After Brahms' Op. 118)

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